The Levee: A Photographer in the American South
The Levee:
A Photographer
In the american south
Sohrab hura + Nathaniel M. Stein
Co-published with the Cincinnati Art Museum
124 pages, handbound. Includes a set of 8 postcards with commentary by Jim Goldberg.
Co-published with Candor Arts and enabled in part by the support of Peter and Betsy Niehoff, The Levee: A Photographer in the American South includes original scholarship by exhibition curator Nathaniel M. Stein and contributions from photographers Jim Goldberg, An-My Lê, Alec Soth, and Mikhael Subotzky and writer Chris Klatell. It is the first major publication about Sohrab Hura and one of few to document the history of Postcards from America.
The Levee: A Photographer in the American South presents a body of photographs by Sohrab Hura (b. 1981, West Bengal, India) in which the artist explores themes of connection, perspective and place. The landscapes and portraits of The Levee trace Hura’s travel along the Mississippi River from its confluence with the Ohio to the far reaches of the delta in Louisiana. Hura, who lives and works primarily in India, made the pictures on a road trip he took in 2016 while participating in a loosely collaborative documentary project called Postcards from America. Echoing touchstones ranging from Farm Security Administration photography to Robert Frank’s The Americans to Alec Soth’s Sleeping by the Mississippi, Postcards fostered a reexamination of photographic perspective as well as producing rich documentary reflections on contemporary American life.
Hura’s trip along the lower Mississippi coincided with a contentious moment in American politics and social discourse, when the American South was much in the news. Yet The Levee is not a documentary account of political events or a particular social issue. Rather, it is a photographic response to being in a specific time and place, which embraces the complex effects of human perspective and includes the layered, interpenetrating nature of emotion and point of view. Building on metaphor and personal themes of longing and connection, Hura finds a world that looks him in the eye, holds him at the threshold, and buoys up with unlikely tenderness and hope.
The Levee: A Photographer in the American South is accompanied by an exhibition catalogue co-published with the Cincinnati Art Museum and enabled in part by Peter and Betsy Niehoff.
